Rules of Dating - Wikipedia
Here's some news that "We Got Married" shippers may not want to hear. Actress Kim So Eun says she does not want to date her virtual spouse. Well, yes maybe she wants to date in real life but I think both parties in .. Kim So Eun and Song Jae Rim came onto this show with the same. Name: Han Jae-Rim; Hangul: 한재림; Born: July 14, ; Birthplace: South Korea Go On | Uahan segye (); Rules of Dating | Yeonaeui Mokjeok ( ).
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- Kim So Eun Was Asked If She Would Date Song Jae Rim In Real Life
- Han Jae-rim
- Han Jae-rim
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Jae-rim Han - IMDb
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Song looks deep into people's eyes searching for answers, but this time he seems to have a knack for it. There's nothing different in the persona we've come to expect from him here and while he seems almost a little too comfortable at times, this is Song doing what he does best.
Unlike last year's big period Chuseok film Masquerade, The Face Reader is no one man show as Song shares the screen with a number of formidable players, each with a significant slice of screen time. Return to Base rises up to the task. However, the most surprising performance comes from Lee Jung-jae, who is having a great year following his role in the gangster epic New World earlier this year.
As the villainous Prince, he chews the scenery to be sure, his voice raspier and more malevolent than any person's ever could be, but, nevertheless, he is superbly menacing in what may very well be his best role to date.
As good as the cast is, the film's strongest asset may be its sublime mise-en-scene.
Rules of Dating
The costumes and sets are as good as we've come to expect from top flight Korea period dramas but it's the exquisite framing and gorgeous lighting that sets it apart. The film is frequently breathtaking, yet never distracting from the events on screen. It amplifies the film's plot and characters in the best possible way. The stirring soundtrack and the slick editing are also a large part of the film's success, though perhaps the infrequently called upon strobe effects could have been done away with completely.
At minutes the film does feel a bit long though no individual moment ever drags, save for a slightly overblown melodramatic climax.
The film is also a tad schizophrenic at times as it rushes between its various characters. It doesn't make the story any harder to follow but can make it difficult to get fully involved in certain scenes as we are quickly whisked off to the next ones.
With a denouement that is coated with a surprising amount of crimson and a bold finish, the film has the ability to surprise again and again. This is in no small way due to director Han Jae-rim, who makes his overdue return following a six-year absence. Having turned the romcom on its head in the terrific Rules of Dating and provided Korean cinema with one of its finest gangster films in The Show Must Go On, it should come as no surprise that Han has managed to reshape the Chosun period film to his own ends.
Never less than entertaining, this is commercial Korean cinema the way it should be.